Showing posts with label Shōbu. Show all posts
Showing posts with label Shōbu. Show all posts

Thursday, February 9, 2012

Meiji Jingu Gyoen: Power Spots and the Land of Iris.

June 26th, 2011:




Today we went to Meiji Jingū Gyoen for the second time.  Meiji Jingū Gyoen (明治神宮御苑) is the garden inside of Meiji Jingū, a shrine made for Emperor Meiji and Empress Shoken in 1920.  I have talked about Meiji Jingū here, when we went there for Hatsumōde, or the Japanese New Year's tradition of first visit to a shrine.  This was our second visit to the garden as we went on January 10th, 2011, but I wanted to wait for this visit, as this time is the highlight of the garden.  The garden is famous for its irises and June is the month they bloom, so we made sure to remember to come back to the garden at this time and were not disappointed.  I will be combining the information from both of our visits here.

Meiji Jingū Gyoen is the only part of the Naien (内苑), or inner part of Meiji Jingū Shrine that existed long before the founding of Meiji Jingū Shrine.  Meiji Jingū Gyoen used to be a yashiki (屋敷), or a daimyō's mansion. [1]  It was first owned by Kiyomasa Katō and would later come under the ownership of the Ii clan.  Kiyomasa Katō (清正 加藤) was a famous general from 1562-1611.  He was first a retainer of Hideyoshi Toyotomi, but later in life would join with Iyeasu Tokugawa.  This would prove fortunate when the latter's victory in the Battle of Sekigahara had Kiyomasa on the winning side and was given Kumamoto for his assistance.  Kiyomasa was a cousin of Hideyoshi Toyotomi's and would explain his retainership to Hideyoshi. [2]  He first distinguished himself in battle at Shizugatake in 1583 and became known as one of the 'Seven Spears.' [3]  Shizugatake is a mountain near Lake Yogo, which is directly north of Lake Biwa, Japan's largest freshwater lake located in Shiga Prefecture.  This was an important battle as it decided who would be the successor to Oda Nobunaga and continue the process of unifying Japan.  Hideyoshi Toyotomi's victory over Katsuie Shibata here meant Hideyoshi Toyotomi would have power over much of Japan at the time. [4]  


Kiyomasa would continue to prove himself as the retainer of Hideyoshi Toyotomi during the ongoing battles of Hideyoshi to assert his power over the whole of Japan.  In 1587, he participated in the invasion of Kyūshū, even defeating the famous Shimazu general Niiro Tadamoto in hand to hand combat during the battle of Sendaigawa.  When Kyūshū was secured, Kiyomasa would receive a large amount of land in Higo Province (present-day Kumamoto) as a reward. [5]  Kiyomasa, a Nichiren Buddhist, persecuted Christians in his domain much to the anger of Konishi Yukinaga, a Christian owning lands next to Kiyomasa. [6]  This conflict between the two would prove important later.  For the meantime, both would command armies during Hideyoshi's invasion of Korea in 1592.  Both were sent to capture Seoul first, but afterwards Kiyomasa was to lead his forces north along the eastern side of Korea. [7]  Kiyomasa's aggressiveness and ferocity during the campaign earned him the nickname Kishokan (鬼将官), 'Demon General' by the Koreans. [8]  This included the kidnapping of two princes to force the lower opposing officers to surrender, as well as racing up the eastern side even into China when many other officers were bogged down.  For a general whose nickname referred to his general hardcoreness, of course Kiyomasa's free time during the Korean campaign was spent hunting tigers. [9]

Tsukioka Yoshitoshi's Masakiyo Captures the Wild Tiger. [10]
This ukiyo-e is of Kiyomasa on a tiger hunt in Korea.  The name given in the title is different for a specific reason that I'll get to later on.  Yoshitoshi Tsukioka is the last of the great ukiyo-e artists, the art form kind of died with him in 1892.

The first Korean campaign ended in a truce, which angered Kiyomasa to being called back from his forward position to show good faith to the Chinese and Korean forces of their intention to stop fighting.  Kiyomasa drew back, but still found time to defeat an enemy force at Chinju with Konishi which had failed to be taken by the Japanese for a year previous, before the truce was signed. [11]

Kiyomasa would again be called upon by Hideyoshi Toyotomi in the 2nd invasion of Korea in 1597.  This time, his fame as a fighter grew in the famous siege of Ulsan.  The siege of Ulsan was an incredible victory for Kiyomasa Katō and the Japanese forces there, not only because of the large enemy force, the largest to attack a Wajō (the castles the Japanese invaders built in Korea), but also for the terrible conditions they had to face during battle.  Kiyomasa had left 7,000 in Ulsan to construct a castle, but it still was not finished when Ming Chinese forces attacked on January 29th, 1598. [12]  The Chinese forces knowing this used fire arrows to burn the temporary barracks and attacked the unfinished castle before being repelled.  Kiyomasa was notified of the attack and he sent for reinforcements and quickly sailed to Ulsan to return and lead the defense there, which was quickly surrounded by rings of enemy troops uncountable. [13]  Without completed gates, the Chinese forces were able to fire arrows directly outside the walls, leading to more destruction by fire.  After this, the defenders shut themselves within the inner castle, but conditions were already disastrous. [14]


The inner castle had no well and thus, no water and only 3 days of food.  The only fortunate thing was Chinese artillery couldn't penetrate the gates or walls of the inner fortress, but this meant continuous assault by enemy troops for the next 10 days. [15]  Conditions had reached the point where gathering parties slipped out by night to gather water from corpse filled ponds and grains of rice from dead Chinese soldiers.  Other food was, "...roasted strips of meat cut from dead horses cooked over fires made from broken arrows, piles of which lay several feet deep." [16]  A heavy rain storm provided temporary relief to their thirst, but this was followed by freezing weather that night, which stopped fighting on both sides.


In the Chosen Ki a diary of the Japanese commander Okochi Hidemoto about the battle, "...50 men at a time may be found crumpled under the unbearable hunger, thirst and cold.  In addition there are a number of men who have let their heads drop and lie down to sleep.  Other soldiers go on tours of inspection with their spears, and when they try to rouse men who have not moved all day by using the butt end of a spear, the ones who stay completely bent over have been frozen to death." [17]

At this point, the Chinese forces were also tired of fighting and offered a cease fire to Kiyomasa Katō who accepted to buy more time for the relieving force to arrive.  This would happen as Yoshinari Mōri's forces came and signaled to Kiyomasa with their banners of their arrival. [18]  At this point, Kiyomasa broke off the cease fire and the Chinese realizing another army had arrived tried one last attack that night.  When this failed, their camps had been abandoned by that morning and the forces of Kiyomasa had achieved a great victory.

Even though Japan had won at Ulsan, the battle marked the beginning of the end for the 2nd Korean campaign.  The 2nd campaign ended with the death of Hideyoshi Toyotomi , who died September 18th, 1598.  After Hideyoshi's death, a battle for succession would arise between Hideyoshi's son, Hideyori and Ieyasu Tokugawa.  This conflict would develop as the Western Army of Hideyori's side and the Eastern Army of Ieyasu's side (Ieyasu Tokugawa was based in Edo, east of Osaka where Hideyori was, hence the naming of the armies).  While it would seem obvious that Kiyomasa would join the side of the Toyotomi, he actually joined the side of the Tokugawa.  The reasons for this were the leader of the Western Army was Ishida Mitsunari, who Kiyomasa had fought with during the Korean campaign and the Western Army also had Konishi Yukinaga, his hated rival. [19]  The two sides finally met at Sekigahara leading to Ieyasu's victory and completing the unification of Japan.  Being on the winning side, Kiyomasa was given the rest of Higo (present-day Kumamoto), his hated rival finally eliminated on the wrong side at Sekigahara.

Kiyomasa would become famous for his castle designs and construction, as well as his water projects. [20]  His castle at Kumamoto being a lasting reminder of this.  Kiyomasa put many of the lessons that he learned from the terrible experience at Ulsan to good use in Kumamoto Castle.  This included nut trees within the baileys and for the matting to be stuffed with dried vegetable stalks instead of the usual rice straw for extra food.  Kumamoto Castle even survived the siege by Takamori Saigō with modern equipment during the year of 1877, some 270 years after Kumamoto's construction. [21]  Kiyomasa would also be enlisted by Ieyasu Tokugawa to construct Nagoya Castle. [22]


Kumamoto Castle. [23]
The main keep is a reconstruction; it burned down during the siege in 1877, but many of the other buildings are still original.


While it might seem like Kiyomasa was a traitor to his retainer, the Toyotomi, this might not be the case and his clan's demise might prove it.  Kiyomasa might have joined the the Tokugawa side to bring a peace between the two sides sooner to keep Hideyori safe. [24]  His continued friendship with Hideyori Toyotomi might have brought his death as Iyeasu might have arranged for his death in 1611 to remove another obstacle to finishing off the Toyotomi once and for all. [25]  Something Ieyasu would finally achieve in 1615.


Which brings me back to the strange title for the ukiyo-e print.  A kabuki play covering the story of one of the rumors of Kiyomasa's downfall that he was forced to drink poison, but did so to keep Hideyori safe appeared in 1807.  This was still during the time of the Tokugawa government so the play needed to change the names of the historic figures or otherwise be censored.  This would lead to Kiyomasa Katō's name to be changed to Masakiyo Sato. [26]  His first name being just a flipping of the kanji.  清正 Kiyomasa to 正清 Masakiyo.  The ukiyo-e print's title would then be the name for the kabuki character, even though it is really a print of Kiyomasa.  In fact, you can even see this if you look closely at the print's title in the upper right hand corner.  It was a bit tricky figuring out the correct artist and title of the print, and then also figuring out who Masakiyo Sato was and why it wasn't Kiyomasa Katō.


While there's no proof that Kiyomasa was poisoned, his son's banishment by Iemitsu Tokugawa (Ieyasu's grandson) gives some evidence that the Tokugawas wanted them removed. [27]  With that, the Hosokawa Clan was given Kiyomata's province of Higo and the Ii Clan took over the mansion at Meiji Jingū Gyoen.  However, after 1868 with the Meiji Restoration and the stepping down of the daimyō, this land was given over to the Imperial Household Ministry and would be in private use by the Emperor.  Emperor Meiji made many of the features of the current garden for his wife, Empress Shoken for her enjoyment and health. [28] 


Meiji Jingū Gyoen can be found by going along the main entrance path to the shrine, and it's just on your left after passing through Otorii, the huge wooden torii that is the largest in Meiji Jingū Shrine and the largest of its type in Japan.  Right at the entrance is a little hut that sells souvenirs and is the place to pay to enter the garden.  It's 500 yen to enter and you can see the whole garden except for Kiyomasa's Well.  To see that you need to ask and then wait for the time when groups are led back to the well.  After paying and not wanting to see the well, you're free to enter the garden, walk around and explore it at your convenience.  The garden has a wide variety of different plants, making for each season to have something unique and worth seeing throughout the year.


Following the well-kept foot path flanked by bamboo and other plants, the first sight you come across is the tea house Kakuun-tei.  This tea house was ordered to be built by the Meiji Emperor for his wife in 1900.  The present building is a 1958 reconstruction, as it was burnt down during the war. [29]


Kakuun-tei in January.  It was also a national holiday which might explain why the tea house was open.


Kakuun-tei in June.


The tea house overlooks the Nan-Chi (South Pond), which has the fishing spot Emperor Meiji made for Emperess Shoken and is remarkable fed by Kiyomasa's well.


Looking down from near the tea house unto the Nan-Chi.  These bushes here are azalea which are covered in red flowers during their peak in April. [30]


Directly down the hill from here is the fishing spot.  Otsuri-Dai (Fishing Spot) was often a place where the Empress Shoken enjoyed her time. [31]


Koi swimming lazily about the fishing spot.


Like just about everywhere with koi in Japan, there are a lot of them at the fishing spot and they come up to the surface looking for handouts when people approach.


The South Pond also has water lilies during the summer that are pretty.


Continuing along the path is the huge iris garden on multiple tiers that holds water from Kiyomasa's Well up above.  Beyond the iris garden is blocked off, holding the Well of Kiyomasa.  If you join the group tour, you are taken directly here first and allowed to see it.


The Well of Kiyomasa is famous for being a "power spot."  Power spots are usually natural wonders or shinto shrines that can supposedly give the people who visit them energy or spiritual power. [32]  The term was first created by the self-proclaimed psychic and metal bender Kiyota Masuaki in the 1990's to be a place where the earth's energy can be collected. [33]  However, power spots didn't become the fad that they have been recently until Shuhei Shimada, a famous palm-reading TV personality claimed taking a cellphone picture of Kiyomasa's Well got him a job in December of 2009.  This caused so many people to go, that the garden had to implement the new ticket system which is used today to control the amount of visitors going to the well. [34]  Power spots became a fad in 2010 through a mix of media promotion and Japanese religion.  Many of these power spots already had religious connotations, as well as mythical and supernatural abilities defined a long time ago by the shrines and spiritual nature of these Shinto holy sites.  Much of the Japanese religious practices already follow traditional practices to gain worldly benefits as well.  The power spots have become an extension of this, in people wanting to go to them for the hope of gaining good luck, changing a mood or building motivation. [35]  Even though power spots are losing their popular status and media coverage, many of these power spots already were impressive sites filled with history, culture, lore, natural beauty and / or deep spiritual connotations and won't fade along with the popularity. [36]  The Well of Kiyomasa is a power spot because it has never emptied since its discovery and creation and is the source for the whole of the South Pond.


The Well of Kiyomasa.  It's not a cellphone picture, but if there's any truth in power spots, maybe it will increase the power of this blog.


On a more serious note, the water's clarity was incredible.  You might be able to see the spout of the well in the upper left of the well wall.


The first time we came to see the well, as we learned about power spots and the well from a friend and did the full tour then.  We came back this time, because while at the garden the first time we saw the pictures of the iris garden in bloom at the entrance hut and wanted to see it.  The garden has 1500 irises from 150 different types making for an incredible sight when they bloom in June. [37]  The difference between our 2 visits of the iris garden is really incredible.


Here it is in January.


And here is almost the same exact spot in June.










I felt the sheer variety of the irises was more impressive than how many there were.  When you look at them closely, there's a wide variety of very different shapes and colors in the irises here.








If you happen to be visiting Meiji Jingū Shrine, especially during June, make the time to visit Meiji Jingū Gyoen along the way.


References:


1. Plaque, Meiji Jingu Gyoen, January 10th, 2011.


2. Chris Glenn, "Hideyoshi and Kiyomasa Memorial Museum," JapanTourist.jp,
http://www.japantourist.jp/view/hideyoshi-and-kiyomasa-memorial-museum.


3. F. W. Seal, "Katō Kiyomasa," The Samurai Archives,
http://www.samurai-archives.com/kiyomasa.html.


4. "Battle of Shizugatake Overview," Battles of Sengoku Jidai Japan,
http://www.trentu.ca/stuorg/tja/sengoku/shizufiles/shizuoverview.html.


5. F. W. Seal, "Katō Kiyomasa," The Samurai Archives.


6. Ibid.


7. Ibid.


8. "Kato Kiyomasa: Chikanobu and Yoshitoshi Woodblock Prints," Claremont Colleges Digital Library,
http://ccdl.libraries.claremont.edu/cdm/singleitem/collection/cyw/id/21.


9. F. W. Seal, "Katō Kiyomasa," The Samurai Archives.


10. Sofia, "The Tiger in Asian Art," The Coolture.
http://www.thecoolture.com/eco-sustainability/the-tiger-in-asian-art/.


11. F. W. Seal, "Katō Kiyomasa," The Samurai Archives.


12. Stephen Turnbull, Strongholds of the Samurai Japanese Castles 250-1877 (Oxford: Osprey Publishing, 2009), 228.


13. Ibid., 229.


14. Ibid.


15. Ibid.


16. Ibid., 230.


17. Ibid., 231.


18. Ibid.


19. F. W. Seal, "Katō Kiyomasa," The Samurai Archives.


20. "Kato Kiyomasa," History.com
http://www.history.com/topics/kato-kiyomasa.


21. Stephen Turnbull, Samurai Commanders (2): 1577-1638 (Oxford: Osprey Publishing, 2005), 47.


22. Chris Glenn, "Hideyoshi and Kiyomasa Memorial Museum."


23. Eric Obershaw, "Kumamoto Castle," JCastle Guide to Japanese Castles,
http://www.jcastle.info/castle/profile/8-Kumamoto-Castle.


24. Stephen Turnbull, Samurai Commanders (2): 1577-1638.


25. F. W. Seal, "Katō Kiyomasa," The Samurai Archives.


26. "Kato Kiyomasa: Chikanobu and Yoshitoshi Woodblock Prints," Claremont Colleges Digital Library.


27. F. W. Seal, "Katō Kiyomasa," The Samurai Archives.


28. "Meiji Jingu Gyoen," Meiji Jingu.
http://www.meijijingu.or.jp/english/nature/2.html.


29. Plaque, Meiji Jingu Gyoen, January 10th, 2011.


30. "Meiji Jingu Gyoen," Meiji Jingu.


31. Plaque, Meiji Jingu Gyoen, January 10th, 2011.


32. Robert Irvine, "Japan's 'Power Spots' Draw Those Looking for Hope, Drive, and a Touch of the Mystical," The Mainichi Daily News, January 1st, 2012, 
http://mdn.mainichi.jp/features/archive/news/2012/01/20120101p2g00m0fe036000c.html, (accessed February 8th, 2012).


33. Felicity Hughes, "Power Spots: Japan's Latest Spiritual Crazy," Japan Pulse, September 2nd, 2010, 
http://blog.japantimes.co.jp/japan-pulse/power-spots-japan%E2%80%99s-latest-spiritual-craze/, (accessed February 8th, 2012).


34. Robert Irvine, "Japan's 'Power Spots' Draw Those Looking for Hope, Drive, and a Touch of the Mystical."


35. Ibid.


36. Ibid.


37. "Meiji Jingu Gyoen," Meiji Jingu.

Thursday, January 5, 2012

Children's Day: A Day of Boys, Carp and Samurai

May 5th, 2011:


The Koinobori streamers, famous on this holiday, at Ueno Zoo.


Today is Kodomo no Hi (こどもの日).  Children's Day is May 5th every year here in Japan.  While the holiday says it's for children, its name can be a bit misleading when it comes to the traditional customs of the holiday.  The original name is Tango no Sekku (端午の節句), or 'First Day of the Horse.'  This is another Sekku, or first day of the new season on the old lunar calendar and Chinese tradition brought to Japan.  This Sekku marks the start of the rainy season.  I briefly discussed more about Sekku in my Hina Matsuri post, which is another of the 5 Sekku throughout the year.  After World War II, Tango no Sekku was renamed to Children's Day and made a national holiday in order to recognize all children without gender discrimination, but the traditional practices of the holiday are from Tango no Sekku. [1]  These practices are all for boys just like Momo no Sekku was for girls, hence the confusion.

Originally being the 'First Day of the Horse,' Tango no Sekku had equine practices that involved symbolism for boys to grow up to the highest ideals of manhood and for them to grow healthy and strong. [2]  Most of the symbolism used for this day focus on making boys strong or protecting their health, both very important in the age when these traditions were created.  The first of these is a bath with the leaves of an iris called Shōbu-yu (菖蒲湯).  The leaves are thought to drive away evil spirits and promote good health. [3]  The reason for this, is the word Shōbu is a homonym.  Shōbu (菖蒲) is a Japanese Iris, but Shōbu (勝負) means a match or bout.  The symbolism through its homonym is the iris flowers when used, will fight against evil. [4]  Homonyms in Japanese usually occur by the kanji, or Chinese characters being different but two words having the same reading.  Sometimes they are important parts of a traditional custom through their symbolism, but other times can be used in a variety of word games or puns for fun.

The traditional sweet for Children's Day is Kashiwa Mochi (かしわ餅).  Mochi is the popular and common rice cake, this sweet having mochi filled with red bean paste.  Kashiwa is an oak leaf that is wrapped around the mochi.  The oak leaf is used because oak trees normally don't lose their old leaves before new buds appear, symbolizing a continuous family line. [5]  This is given to boys on Children's Day in hopes of continuing the family line into the future.

The most famous parts of this holiday are the two traditional decorations set up for the holiday.  The first is Go Gatsu Ningyo (五月人形), Fifth Month Dolls or May Dolls.  These are small samurai armor sets, helmets or Kintarō dolls that are displayed inside the house of families that have boys and in public as well.  These are much like the court doll display on Hina Matsuri where the traditional gender ideals are out on display in hope of their children fulfilling those ideals.  Actually, these decorations were started in the Edo period in order to complement the decorations of Hina Matsuri. [6]  Kintarō (金太郎) is a Japanese legend of a boy named Kintarō, or Golden Boy, that has super-human strength.  These are displayed for boys to become strong and brave.

A large display inside a train station in Saitama Prefecture.

The other famous and most popular decoration are the carp streamers, or Koinobori (鯉幟).  These are hung outside the houses of those that have sons, as well as in public places.  The carp symbolize strength through a Chinese folktale that many fish tried to swim up a waterfall, but only the carp made it all the way to the top, turning into a dragon. [7]  Their swim upstream every year also represents perseverance, another desired trait in boys.  These decorations are hung outside the house in hopes that their boys will grow to be strong, have perseverance and achieve success.  These streamers usually include at least 3 carp.  The first, Magoi (真鯉), a black carp represents the father.  The second, Higoi (緋鯉), a red carp represents the mother.  The carp below these two represent the boys in the house.  Each younger son being a smaller carp and lower on the pole than the older. [8]  The red one used to represent the first born son in the past and the ones below it younger sons being at least 2 carp instead of 3, but today it more often represents the mother and thus 3 carp are needed. [9]

Koinobori decorations around my neighborhood.


While the ones in front of houses are generally similar sizes, the ones in public places can get quite large.  The most famous of these is Kazo's gigantic Koinobori.  Kazo, Saitama makes about half of the Koinobori used during this holiday and on May 3rd for the city's Citizen's Peace Festival, their 100 meter 350 kilogram one is flown for a short time. [10]

This massive Koinobori is only flown for 15 minutes twice during the day for fear of a strong wind causing an accident. [11]

Other areas in Japan are famous for having the most Koinobori in one place.  Sagamihara City, Kanagawa is famous for its over 1200 Koinobori that are hung on wires over the Sagamigawa River.  Tatebayashi, Gunma also holds a Koinobori Festival hung on ropes above the Tsurūdagawa River.  In 2004, they even broke the world record for number of Koinobori hung in one place for the city's 50th anniversary with 5,283 Koinobori. [12]

The Koinobori hung over the Sagamigawa River. [13]

In lots of other places they can be quite large and a fair amount of them too.  I took some pictures of the ones I've seen in public places during this spring and the ones at Ueno Zoo were the largest I saw this year.


Even without the symbolism, the carp streamers are a nice sight at this time and add lots of color and nice decoration to the neighborhood.  They're one of the things that most remind me it's spring in Japan.  I hope I have the chance to go and see the larger Koinobori displays throughout Japan in the future.

References:

1. Diane Durston, "Go-Sekku Celebrating the Cycle of Life," Ikebana International, 2008-2009, 13-24, quoted in "Five Festival Celebrations," Portland Japanese Garden.
http://japanesegarden.com/events/wp-content/uploads/2010/10/Go-Sekku-article.pdf.

2. Ibid.

3. "Children's Day," Kids Web Japan,
http://web-japan.org/kidsweb/explore/calendar/may/children.html.

4. Jenny Nakao Hones, "Celebrating Japan's Children's Day," Asian Lifestyle Design,
http://asianlifestyledesign.com/2011/05/04/celebrating-japan%E2%80%99s-children%E2%80%99s-day/.

5. "Events, Culture and Sports Information," Shinjuku City Official Website,
http://www.city.shinjuku.lg.jp/foreign/english/oshirase/event/2011/event_1104_1.html.

6. Diane Durston, "Go-Sekku Celebrating the Cycle of Life."

7. "Events, Culture and Sports Information," Shinjuku City Official Website.


8. Ibid.

9. "Koinobori: Celebrating the Spirit of Boys Day," Japanese American National Museum,
http://janmstore.com/koinobori.html.

10. "Kazo's Jumbo Koinobori (Flying Carp)," Tokyo Festivals,
http://yumemakura.travel.coocan.jp/May.html.

11. Ibid.

12. "Koinobori Events Around Japan," Kids Web Japan,
http://web-japan.org/kidsweb/cool/11-06/002.html.

13. "概要," E-Sagamihara,
http://www.e-sagamihara.com/event/april/0236/index.html.